![]() Boosting in this area can make our voices sound too heavy or dense, it can be unpleasant. Point being, this range is important to intelligibility and warmth.Ģ00-240 Hz is where we start to get some boominess in voices. ![]() And also digital and crunchy, but that is another matter. One of the reasons why phone calls sound so off-putting is because they don’t include this frequency, making our voices sound thin and wispy. ![]() This is the fundamental of our voice, the very bottom of our chest. If the high pass filter has different roll off curves, try -12 or -16 dB per octave.Īnytime you start editing a podcast, an EQ will be the first thing you start using, and the last thing you’ll adjust.Ĩ0-120 Hz is where we get the full, rich timbre of voices. A low pass filter does the same for anything lower than the selected frequency) at this point can help to clean up the audio by taking away energy from sounds like thumps, bumps and plosives (bursts of air into the mic when saying words with “puh” sounds, like “plosives”). EQ plugins let you adjust the gain of frequency bands individuallyīelow 80 Hz is of little use to podcasters. The human voice doesn’t go any lower than this point, so by putting a high pass filter (a filter that “gives a pass” to anything higher than the selected frequency, leaving them unaffected.
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